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The concept of the musical work is based on the assumption that a composed piece of music is a work of art.

From a historical perspective, authorship stands as a comparatively recent determinant of the work concept.

Deals with chordal and single-line improvisation from a basso continuo and makes an important distinction between “fundamental” and “ornamental” instrumental classes. [item no.2415] Biblioteca Storico Giuridica e Artistico Letteraria: Letteratura Musica Teatro, 62.

[item no.4046] Bibliotheca Musica Bononiensis, IV/87. Set of 12 sonatas written in a highly idiomatic style in which the composer fully exploits the instrument’s technical and expressive resources.

Contains 6 cantatas (La Rosa; L’amor onesto; L’Olmo; Libertà acquistata in Amore; Il Naufragio Vicino; La Gelosia) and 6 lezioni followed by a postscript.

[item no.7] Bibliotheca Musica Bononiensis, II/36.

Italian edition of Ludwig van Beethoven’s Studien im Generalbasse, edited by Ignaz von Seyfried and first published in 1832. Line-cut of the Giacomo Vincenti edition, Venice, 1591.

Contains, in the form of a dialogue, the history of the Antegnati family, requirements of the church organ, methods of voicing, registration, and descriptions of several Antegnati organs. ) [item no.810] Bibliotheca Musica Bononiensis, IV/42. L’arte was written for Antegnati’s youngest son who became the helper of his father, the celebrated organ maker. A remarkable book printed with metal-block, considered the first organ tablatures to be printed in Italy. Line-cut of the Giuseppe Fabri edition, Bologna, 1721. ) [item no.7851] Monumenta Romandiola, Musica Dramatica in Aemiliae Romandiolae Civitatibus Archivum, [Fototypice Expressa] 3.

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